Kalki 2898 AD review : Ambitious yet underwhelming sci-fi epic from Nag Ashwin

“Kalki 2898 AD,” directed by Nag Ashwin, emerges as one of India’s most expensive films, attempting a bold fusion of Hindu mythology with high-concept science fiction. Despite its ambition to dazzle audiences across India with dubbed versions in Hindi and Tamil, the film faces significant challenges in narrative and execution, leading to mixed critical reception.

A Star-Studded, High-Budget Production

Set both 6000 years past and 874 years future from today, “Kalki 2898 AD” revisits the epic battleground of Kurukshetra, now a dystopian wasteland under the tyrannical rule of Yaskin (Kamal Haasan). The film’s plot centers around the legendary figure Ashwathama (Amitabh Bachchan), cursed with immortality by Lord Krishna, who becomes entwined in a struggle involving rebels, tyrants, and a quest for liberation from oppression.

With an ensemble cast including Prabhas, Deepika Padukone, and a cameo-rich lineup featuring Vijay Deverakonda and Mrunal Thakur, the film promises a Pan-Indian appeal. However, the sprawling narrative and its reliance on extensive VFX have drawn comparisons to Western franchises like “Dune” and “Star Wars,” often to its detriment.

Explore the highs and lows of Nag Ashwin’s “Kalki 2898 AD,” a film that combines Hindu mythology with futuristic sci-fi in an ambitious yet flawed cinematic venture.

Plot Complexity and Visual Effects Overwhelm

The screenplay intertwines several elements—futuristic warfare, mythological curses, and a prophecy involving a newborn savior—into a narrative that many viewers found convoluted and overextended. Notably, the film’s first half meanders through setup and backstory, leaving action and major plot developments for the latter half. This pacing issue, combined with drawn-out battle scenes and a tangled subplot involving a forced romance between characters played by Prabhas and Disha Patani, has detracted from the overall impact of the story.

Critics and audiences alike have critiqued the film for its lack of coherence and the uneven quality of its visual effects, which, while impressive in scale, often serve more as a distraction than enhancement. The portrayal of characters and their motivations has also come under scrutiny, with the film’s approach to costume and character design drawing particular criticism for inconsistency and anachronism.

Performance and Direction: Hits and Misses

Among the performances, Amitabh Bachchan’s portrayal of Ashwathama stands out, bringing gravitas to a film otherwise marred by uneven acting. Prabhas and Deepika Padukone, despite their star power, have been noted for lacking depth in their performances, attributed partly to the script’s limitations.

Looking Ahead: Sequels and Potential Redemption

Ending on a cliffhanger, “Kalki 2898 AD” sets the stage for future installments, promising deeper exploration of its characters and perhaps a redemption of its narrative flaws. The potential for a more focused sequel could capitalize on the groundwork laid by its extensive world-building and special effects.

Despite its shortcomings, “Kalki 2898 AD” represents a significant step for Indian cinema in terms of scale and ambition. While not fully realizing its lofty aspirations, it lays a foundation that future projects might build upon, hopefully with greater narrative clarity and character development.