Olympic scandal: Thomas Jolly’s ‘Last Supper’ parody causes global uproar

Thomas Jolly, the artistic director of the Paris 2024 Olympics opening ceremony, has strongly defended the inclusion of a controversial parody of Leonardo da Vinci’s “The Last Supper” in the event’s production. The artistic vision, which featured drag queens, transgender individuals, and naked dancers, has sparked a wave of criticism worldwide. Jolly, who is from Normandy and is known for his work in theatre, has described the ceremony’s focus on diversity as central to its message.

Jolly’s Defence of the Ceremony

Speaking to reporters on July 28, Jolly clarified that the intention behind the opening ceremony was not to be provocative but to celebrate diversity. He stressed that the production aimed to showcase inclusion and unity, rather than to challenge or undermine religious sensibilities. Jolly asserted that the ceremony was a reflection of France’s values of artistic freedom and individual rights.

According to Jolly, “Our subject was not to be subversive. We never wanted to be subversive. We wanted to talk about diversity. Diversity means being together.” He emphasized the importance of artistic freedom in France, stating, “We wanted to include everyone, as simple as that. In France, we have freedom of creation, artistic freedom. We are lucky in France to live in a free country. I didn’t have any specific messages that I wanted to deliver.” Jolly further highlighted France’s rights-based ethos, noting, “In France, we are a republic, we have the right to love whom we want, we have the right not to be worshippers, we have a lot of rights in France, and this is what I wanted to convey.”

Paris 2024’s Apology and Catholic Church Response

Despite Jolly’s defence, the Paris 2024 organisers issued an apology to Catholics and other Christian groups who were offended by the portrayal of figures resembling Jesus and his Twelve Apostles. Anne Descamps, a spokesperson for Paris 2024, expressed regret at a press conference, stating, “Clearly there was never an intention to show disrespect to any religious group. The opening ceremony tried to celebrate community tolerance.” Descamps continued, “We believe this ambition was achieved. If people have taken any offence we are really sorry.”

The Catholic Church in France has condemned the ceremony, accusing it of deriding and mocking Christianity. Archbishop Charles Scicluna, a senior Catholic official from Malta and a member of the Vatican’s doctrinal office, also expressed his discontent. Scicluna revealed that he had lodged a formal complaint with France’s ambassador to Malta, describing the ceremony as a “gratuitous insult.”

Expert Opinion on Artistic Freedom and Public Reaction

The controversy surrounding the opening ceremony raises important questions about the balance between artistic expression and respect for religious sentiments. Critics argue that while artistic freedom is a cherished right, it should be exercised with sensitivity to the diverse beliefs and values of the public. The incident highlights the ongoing challenge of navigating cultural and religious boundaries in a globalized world.

Thomas Jolly’s attempt to use the Olympics stage to promote diversity and inclusion through provocative art has been met with mixed reactions. While some view it as a bold statement of artistic and social freedom, others see it as an affront to deeply held religious beliefs. This debate underscores the complexities of staging international events that resonate with a global audience while respecting local and cultural sensitivities.